AND THE MOON BECAME AS BLOOD

Howard Finster, AND THE MOON BECAME AS BLOOD, 1976, enamel on fiberboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1988.74.7
Copied Howard Finster, AND THE MOON BECAME AS BLOOD, 1976, enamel on fiberboard, 29 1⁄2 x 30 1⁄8 in. (75.0 x 76.4 cm), Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1988.74.7

Artwork Details

Title
AND THE MOON BECAME AS BLOOD
Artist
Date
1976
Location
Not on view
Dimensions
29 1⁄2 x 30 1⁄8 in. (75.0 x 76.4 cm)
Credit Line
Gift of Herbert Waide Hemphill, Jr.
Mediums
Mediums Description
enamel on fiberboard
Classifications
Subjects
  • Religion — angel
  • Architecture — boat
  • Landscape — celestial — moon
  • Allegory — religion
  • Landscape — celestial — sun
  • Religion — New Testament — Last Judgment
Object Number
1988.74.7
Linked Open Data
https://edan.si.edu/saam/id/object/1988.74.7

Artwork Description

In 1976, after some four decades of preaching, Howard Finster responded to a vision in which God directed him to "paint sacred art." Finster believed that pictures would help people grasp the enormity of the Word of God. His painted sermons on life, death, salvation, and damnation eventually covered almost every inch of Paradise Garden, his four-acre art environment in Summerville, Georgia.

His concerns about a world of suffering and destruction drove Finster to create the artworks he called "signposts to salvation." In this triptych, he depicts trials encountered in the Bible's Book of Revelations, conveying his belief that no matter what problems loomed, God would protect and deliver the faithful.