Dallas 1963 from the series History

David Levinthal, Dallas 1963 from the series History, 2013, inkjet print, Smithsonian American Art Museum, Gift of Donald Standford Rosenfeld, Jr., 2017.41.13, © 2013, David Levinthal
Copied David Levinthal, Dallas 1963 from the series History, 2013, inkjet print, 17 × 22 in. (43.2 × 55.9 cm), Smithsonian American Art Museum, Gift of Donald Standford Rosenfeld, Jr., 2017.41.13, © 2013, David Levinthal

Artwork Details

Title
Dallas 1963 from the series History
Artist
Date
2013
Location
Not on view
Dimensions
17 × 22 in. (43.2 × 55.9 cm)
Copyright
© 2013, David Levinthal
Credit Line
Gift of Donald Standford Rosenfeld, Jr.
Mediums Description
inkjet print
Classifications
Subjects
  • Occupation — political — first lady
  • Portrait group — family — spouses
  • Portrait female — Kennedy, Jacqueline — bust
  • Cityscape — Texas — Dallas
  • Portrait male — Kennedy, John F. — bust
  • Occupation — political — president
  • Ceremony — procession
  • Architecture — vehicle — automobile
Object Number
2017.41.13
Linked Open Data
https://edan.si.edu/saam/id/object/2017.41.13

Artwork Description

Dallas 1963 shows a model of President John F. Kennedy in a black Lincoln Continental moments before he was assassinated. The photograph is loosely based on Abraham Zapruder's famous 8mm amateur film of the tragedy, but the orientation of the car and the figures is
reversed. The First Lady and her pink hat, rather than the president, become the focus. Despite this and the blurring of the image, the subject is unmistakable. Its continual repetition in the media has embedded the scene in our collective psyche, reinforcing public fascination around the
tragedy. Levinthal's adaptation not only gestures at the actual event but also these countless restagings.

Exhibitions

Media - 2017.32.10 - SAAM-2017.32.10_1 - 133751
American Myth & Memory: David Levinthal Photographs 
June 7, 2019–October 14, 2019
Smithsonian American Art Museum
Populated with toy cowboys and cavalry, Barbie dolls and baseball players, David Levinthal’s photographs reference iconic images and events that shaped postwar American society.