Deception of the Formal Landscape

Sonji Hunt, Deception of the Formal Landscape, 2009, cotton fabric and batt, acrylic paint, metal grommets, cotton thread, glue, Peltex and fusible web, Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2023.20.2, © 2023, Sonji Yarbrough Hunt
Copied Sonji Hunt, Deception of the Formal Landscape, 2009, cotton fabric and batt, acrylic paint, metal grommets, cotton thread, glue, Peltex and fusible web, 63 12 × 24 12 × 2 18 in. (161.3 × 62.2 × 5.4 cm), Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2023.20.2, © 2023, Sonji Yarbrough Hunt

Artwork Details

Title
Deception of the Formal Landscape
Artist
Date
2009
Dimensions
63 12 × 24 12 × 2 18 in. (161.3 × 62.2 × 5.4 cm)
Copyright
© 2023, Sonji Yarbrough Hunt
Credit Line
Gift of Carolyn L. Mazloomi
Mediums
Mediums Description
cotton fabric and batt, acrylic paint, metal grommets, cotton thread, glue, Peltex and fusible web
Classifications
Subjects
  • Abstract
Object Number
2023.20.2

Artwork Description

Sonji Hunt
born 1964, Milwaukee, WI
resides Milwaukee, WI

Deception of the Formal Landscape
2009
cotton fabric and batt, acrylic paint, metal grommets, cotton thread, glue, Peltex and fusible web

 
Sonji Hunt bends genres with her signature bundles of painted fabric scraps. Experimental in nature, the wrapped fabrics explore different colors and compositions that comprise the larger work. Their irregular shapes push the viewer to reimagine what constitutes a quilt.     

With this quilt, Hunt also celebrates the freedom and ingenuity of nature. She describes a formal, or man-made, landscape as a “rigid structure imposed by humans to control the fluidity of the way in which growing things want to be in their original environment. Nature always overcomes whatever humans inflict on it.”

Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2023.20.2, © 2023, Sonji Yarbrough Hunt 


We Gather at the Edge: Contemporary Quilts of Black Women Artists, 2025