It’s Black Friday, and our minds and feeds are full of messages about deals, discounts, and warnings about supply chains and shipping deadlines. If your eyes and wallets could use a break, allow us to take you on a diverting tour of American art, where everything is the same shade (black) and we weave between black humor, sincere awe, and puns.
Is your mind spinning out of control? Too many choices, too many lists? Focus those peepers on this winged bowl and imagine it spinning around, about to take flight. There. Feeling a bit more focused? No? Now you’re feeling anxious about a flying ceramic UFO?
Elsa Rady, Two Wing Black Matte Bowl, 1979, wheel-thrown, carved, and glazed porcelain with black matte glaze, Smithsonian American Art Museum, Gift of Jill I. Cole, 1981.21
Elsa Rady, Two Wing Black Matte Bowl, 1979, wheel-thrown, carved, and glazed porcelain with black matte glaze, Smithsonian American Art Museum, Gift of Jill I. Cole
The beautiful black box-shaped work is truly a gift. Imagine finding a “Leaf” like this under your tree.
Louise Nevelson, Night Leaf, 1969, plexiglas, Smithsonian American Art Museum, Gift of the Woodward Foundation, 1976.108.90
Louise Nevelson, Night Leaf, 1969, plexiglas, Smithsonian American Art Museum, Gift of the Woodward Foundation
That dress! That hat! It’s never too early to think about what to wear on New Year’s Eve. You’ve been Zooming from home in your ’Lemons for a year and a half. But when life gives you black velvet, make a night of it!
Alice Pike Barney, Laura in Blacks, 1899, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1951.14.53
Alice Pike Barney, Laura in Blacks, 1899, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney
Feeling a bit burned out? This toaster knows how you feel. Made of vinyl, thread, and copper wire, it looks good, but won’t be much help when you’re craving some cinnamon raisin toast with your coffee. And don’t even get me started on the blender!
Surprise! Just when you thought we were only shady, it's time to be... shadowy. Like a shock to the system, the light wood zips across the deep black of this bowl, shouting WAKE UP!
This graphite pendant is made to leave a trace of color (I mean shade) on the wearer. You know who you are. Get out there and make your mark. The world is waiting for you. Be the pendant! It only moves when you do...
Joan Parcher, Graphite Pendulum-Pendant, 1994, graphite, sterling silver, and stainless steel, Smithsonian American Art Museum, Museum purchase through the Renwick Acquisitions Fund, 1995.12
Joan Parcher, Graphite Pendulum-Pendant, 1994, graphite, sterling silver, and stainless steel, Smithsonian American Art Museum, Museum purchase through the Renwick Acquisitions Fund
Get ready to be BOWLed over by this study in contrasts. It’s matte! It’s shiny! It’s angular! It’s curved!
Tonita Martinez Roybal, Bowl, blackware, Smithsonian American Art Museum, Gift of International Business Machines Corporation, 1966.27.18
Tonita Martinez Roybal, Bowl, blackware, Smithsonian American Art Museum, Gift of International Business Machines Corporation
You are getting sleepy. Black Friday lasts until late into the night. You’ve been at it for a long time, and now you’re seeing stars.
We’re in love with the shape of... this sculpture. Does it push and pull your eyes... like a magnet do? Just when you think you’re on a roll, this blog post has come to an end.
Anne Currier, Rollway, 1992, hand-built and glazed earthenware, Smithsonian American Art Museum, Gift of the James Renwick Alliance on the occasion of the 25th anniversary of the Renwick Gallery, 1997.53A-B
Anne Currier, Rollway, 1992, hand-built and glazed earthenware, Smithsonian American Art Museum, Gift of the James Renwick Alliance on the occasion of the 25th anniversary of the Renwick Gallery
If you need a little more color, we invite you to search SAAM’s collection to dive into some bright, pastel, sparkly, whatever artworks.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
