The Art of Gaman: The Bird Artist

Gilchi Sase's tools

Giichi Sase's tools. Photos courtesy of Wes Yamaka.

SAAM Staff
Blog Editor
May 20, 2010

Wes Yamaka recently wrote a comment about his father-in-law on our The Art of Gaman exhibition comment page. We'd like to post it on Eye Level as a testament to the personal stories that have been passed down from internees in the camps.

Giichi Sase's wood carvings. Photos courtesy of Wes Yamaka.

Giichi Sase's wood carvings. Photos courtesy of Wes Yamaka.

My wife's (Rose) father (Mr. Giichi Sase) was interned at Poston during WW II. He worked as a farmer in California's Imperial Valley. Rose did not know her dad to be any kind of craftsperson or gifted in the visual arts. Her father, not having a farm to tend, had "free" time, the first time in his life. She did not know that he took up carving wooden birds.

Recently we received a treasure trove of his works, about a dozen birds and the tools with which he was able to do his delicate carving. They are indeed fine works of art.

On leaving the camp he stopped carving. Before his death he took up writing poetry. These gifts of artistry were latent in him. Incarcerated, his latent gifts were allowed to flourish. Indeed, his was the art of gaman, to endure and to discover the artist within!

The exhibition The Art of Gaman: Arts and Crafts from the Japanese Internment Camps, 1942-1946 continues at our Renwick Gallery through January 30, 2011.

 

Recent Posts

Person leaning toward a vase in a plexiglass covered case in a museum gallery, other artworks fill the space in the distance.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
SAAM
Three paintings on a light blue background.
A new exhibition that restores three American women of Japanese descent to their rightful place in the story of modernism 
SAAM
Sculpture of a person completely covered with multiple colorful, intricate patterns standing against a dark red wall with the exhibition title "The Shape of Power: Stories of Race and American Sculpture."
A new exhibition explores how the history of race in the United States is entwined in the history of American sculpture.
SAAM