Picture This: George Ault and 1940s America

Paintings Conservator, Amber Kerr-Allison does a final inspection of George Ault's painting Bright Light at Russell's Corners with a UV flashlight just before the show opens.

Paintings Conservator, Amber Kerr-Allison does a final inspection of George Ault's painting Bright Light at Russell's Corners with a UV flashlight just before the show opens.

SAAM Staff
Blog Editor
March 10, 2011

Paintings Conservator, Amber Kerr-Allison does a final inspection of George Ault's painting Bright Light at Russell's Corners with a UV flashlight just before the show opens. American Art's exhibition To Make a World: George Ault and 1940s America opens tomorrow, March 11, and runs through September 5. Exhibition curator Alexander Nemerov will be speaking tomorrow evening in the museum’s McEvoy Auditorium about Ault and his contemporaries. The lecture begins at 7 p.m., is free, and will be webcast live.

Categories

Recent Posts

Person leaning toward a vase in a plexiglass covered case in a museum gallery, other artworks fill the space in the distance.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
SAAM
Three paintings on a light blue background.
A new exhibition that restores three American women of Japanese descent to their rightful place in the story of modernism 
SAAM
Sculpture of a person completely covered with multiple colorful, intricate patterns standing against a dark red wall with the exhibition title "The Shape of Power: Stories of Race and American Sculpture."
A new exhibition explores how the history of race in the United States is entwined in the history of American sculpture.
SAAM