Landscapes in Passing

Georgina
July 31, 2013

Landscapes In Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes opened last week on the museum's second floor. This installation looks at representations of the American landscape by three different artists. While each artist had a different approach, all of the works explore the impact of expanding civilization on the natural world. The photographs show mediated views, seen from a moving car window or captured from a particular moment on a prescribed path. In contrast to 19th-century artists, who focused on majestic views of unspoiled wilderness, Fitch, Flick, and Mayes openly acknowledge the human presence in their photographs, encouraging us to think about the changing landscape as well as our relationship to it.

Landscapes in Passing was organized by Lisa Hostetler, McEvoy Family Curator of Photography. Lisa came to the American Art Museum in 2012 from the Milwaukee Art Museum, and has spent the last year familiarizing herself with our collections. We have over seven thousand photographs in the permanent collection and it is always interesting to see what new discoveries and connections will result from a fresh pair of eyes. Listen to Lisa talk about the works and artists in Landscapes in Passing in our latest video podcast series on YouTube.

Recent Posts

Person leaning toward a vase in a plexiglass covered case in a museum gallery, other artworks fill the space in the distance.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
SAAM
Three paintings on a light blue background.
A new exhibition that restores three American women of Japanese descent to their rightful place in the story of modernism 
SAAM
Sculpture of a person completely covered with multiple colorful, intricate patterns standing against a dark red wall with the exhibition title "The Shape of Power: Stories of Race and American Sculpture."
A new exhibition explores how the history of race in the United States is entwined in the history of American sculpture.
SAAM