Trevor Paglen: Sites Unseen Now Open

June 21, 2018
Installing the artist's Prototype for a Satellite in the exhibition Trevor Paglen: Sites Unseen

Installing Trevor Paglen's Prototype for a Nonfunctional Satellite (Design 4; Build 4), 2013, mixed media approx. 144 × 144 × 144 inches, Courtesy of the artist; Metro Pictures, New York; Altman Siegel, San Francisco; All installation photos by Libby Weiler.

One of the great pleasures of working at the Smithsonian American Art Museum is having the opportunity to see how things are done behind the scenes. In this case, the museum's team is installing Trevor Paglen's "Prototype for a Nonfunctional Satellite (Design 4; Build 4)." It hangs in the Lincoln Gallery near the corridor leading to the exhibition Trevor Paglen: Sites Unseen, the artist's mid-career retrospective that investigates the themes of surveillance, secrecy, privacy and democracy, opening today at SAAM. The "Satellite" serves no intelligence-gathering function. Instead, it invites viewers to imagine gazing into a night sky where the machinery of surveillance is not looking back at us.

Installation view of Trevor Paglen's satellite at the Smithsonian American Art Museum.

 

Installation view of Trevor Paglen's satellite at the Smithsonian American Art Museum.

 

Installation view of Trevor Paglen's satellite at the Smithsonian American Art Museum.

 

Installation view of Trevor Paglen's satellite at the Smithsonian American Art Museum.

 

Installation view of Trevor Paglen's satellite at the Smithsonian American Art Museum.

 

Installation view of Trevor Paglen's satellite at the Smithsonian American Art Museum.

Categories

Recent Posts

Person leaning toward a vase in a plexiglass covered case in a museum gallery, other artworks fill the space in the distance.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
SAAM
Three paintings on a light blue background.
A new exhibition that restores three American women of Japanese descent to their rightful place in the story of modernism 
SAAM
Sculpture of a person completely covered with multiple colorful, intricate patterns standing against a dark red wall with the exhibition title "The Shape of Power: Stories of Race and American Sculpture."
A new exhibition explores how the history of race in the United States is entwined in the history of American sculpture.
SAAM