SAAM Stories

We've launched "Renwick Gallery WONDER 360" as our first major experiment with producing immersive VR experiences. I hope you'll download it, and please let us know what you think by rating it in the app store!

Danke Shane's debut D.C. show premieres this Thursday, October 6, in the Luce Foundation Center as a part of Luce Unplugged, our free, monthly concert series. In partnership with D.C. Music Download, we highlight musical acts within the District that create unique and innovative sound. With a new album releasing this winter, we sat down with Andrew Burke from Danke Shane to learn more about the launch of his musical career.

On October 13, the Smithsonian American Art Museum will host "Art and the African American Experience," an evening for teachers presented in celebration of the opening of the National Museum of African American History and Culture. Led by educators at SAAM, Teaching for Change, and the Anacostia Community Museum, participants will explore ways of thoughtfully addressing race and the African American experience through art in their teaching. The event is free with registration, and includes teaching resources and a standing reception.

Joe Lucchesi, the consulting curator for SAAM's exhibition, The Art of Romaine Brooks, is Associate Professor of Art History and the Women, Gender, and Sexuality Studies Program Coordinator at St. Mary's College of Maryland. Joe gives us a look at the humor and wit of Romaine Brooks. He will be leading a tour of the show on Thursday, September 29 at 6 p.m. The Art of Romaine Brooks is on view until October 2, 2016.

To kick off the 2016 season of the Clarice Smith Distinguished Lectures in American Art, scholar Alice Cooney Frelinghuysen, Curator of American Decorative Arts at the Metropolitan Museum of Art, brought us into the close circle of Louis Comfort Tiffany's art glass studio.

Romaine Brooks was something of an interior decorator as well as an artist. She took a lively interest in the frame designs and finishes for her artworks. Several of the paintings in the exhibition The Art of Romaine Brooks are in frames that she personally designed or that were prepared under her direction.

Each month, the Luce Foundation Center partners with neighboring Flashpoint Gallery to bring local artists to speak about their own work and the inspiration they take from SAAM's collection. We'll kick off our fall Luce Artist Talk Series on Sunday, September 25, with Nicole Salimbene, a multimedia artist whose work explores themes of mindfulness and conflict between one's internal self and the physical world. She will discuss how she uses form to encourage contemplation and provoke dialogue.

Join us on Thursday, September 22nd from 5:30 to 8 p.m. at the Renwick Gallery for our early fall Handi-hour.

The Smithsonian American Art Museum boasts more than two thousand works of art in its collection by more than two-hundred African American artists. Covering centuries of creative expression, the artworks explore themes that reflect the African American experience in paintings, sculpture, prints, textiles and photographs.

Michael Hristakopoulos teaches high school social studies at a virtual school in Florida. This July, he participated in one of SAAM's summer teacher institutes, offered for English and social studies teachers interested in integrating American art into their curricula. This summer, 59 teachers from 22 states and Washington, D.C., participated in one of two week-long sessions. Michael fills us in on how he applied his experience here to his online teaching environment.

This year's Renwick Invitational features the work of four craft artists—Steven Young Lee, Kristen Morgin, Jennifer Trask and Norwood Viviano—who share a common interest in the exploration of materiality, as well as the processes of transformation, decay, and rebirth.

This September 8, we welcome Paperhaus back to the Luce Foundation Center as a part of Luce Unplugged, our free, monthly local concert series. In partnership with D.C. Music Download, we feature bands influencing the D.C. music scene now and highlight creativity happening within our own city.

The summer may be over, but not our film series. This fall get ready for three extraordinary films, and some special guests.

When author and social commentator Carl Van Vechten focused his camera on the African American community of writers, artists, singers, athletes, and politicians in Harlem beginning in the 1930s, it was an eye-opening experience.

Each month, the Luce Foundation Center partners with neighboring Flashpoint Gallery to bring local artists to speak about their own work and the inspiration they take from SAAM's collection. We'll round out our summer talk series on Saturday, August 27 with Jackie Hoysted, multimedia artist and visual arts curator at Solas Nua, a DC-based arts organization dedicated to contemporary Irish arts. The Artist Talks series is presented in collaboration with CulturalDC.

SAAM's Curator of Sculpture, Karen Lemmey, recently joined forces with the GSA Art in Architecture Program's fine arts specialist Bill Caine to lead a "walk and talk" discussion about the importance of public art. Since 1972, the Art in Architecture program has reserved a small piece of the construction budget for new federal buildings around the country for public works of art. In nearly forty-five years, the program has commissioned five-hundred artworks, including Martin Puryear's Bearing Witness, the focus of this hour-plus program.

The best in-person encounters with artwork can engage us with compelling stories, challenge us with thought-provoking ideas, and inspire creativity. By looking deeply, visitors connect with art through what they see. But how does someone who is blind experience art in a museum? At SAAM, a team of volunteer docents have been specially trained to bring artwork to life for visitors who are blind.

Harold Weston once told Magazine of Art, "theories and explanations about paintings are... usually unsatisfactory." However, as an artist, I find artists' experiences inform and enrich the artworks they create. The time and place in which a work of art comes to be influences what it is and what it means. An explanation of why Weston decided to paint his Building the United Nations series—two paintings of which are on display in the Luce Foundation Center—is an important part of experiencing the work. The paintings' meticulous realism only tells half the story.