SAAM Stories

It's Throwback Thursday! And we at Eye Level have decided it's a great opportunity to bring back some of our interesting posts from the past. This Monday we will celebrate Martin Luther King, Jr. Day. Curator E. Carmen Ramos discusses the legacy of Martin Luther King on contemporary Latino artists in our traveling exhibition Our America: The Latino Presence in American Art.

Chris Totten, a professor at American University's Game Lab, coordinator for January 16th's Indie Coast to Coast Competition as part of SAAM's Indie Arcade, and head of the Independent Game Developer's Association (IGDA's) D.C. chapter, recently wrote about the intersection of video games and art.

Photographer Irving Penn, who died in 2009, and whose work is featured in the current exhibition, Irving Penn: Beyond Beauty, combined fashion, art, and photography to create a style uniquely his own. He not only walked the line between the artistic and the commercial worlds, he led the way.

Join us for the first Luce Unplugged of the year next Thursday, January 14th at 5:30 p.m. Stronger Sex, a beloved local experimental noise-pop band, will kick of the concert series' first show of the year.

On Saturday afternoon, artist Chakaia Booker and curator E. Carmen Ramos spoke in the Renwick Gallery's Grand Salon about Booker's work, process, and Anonymous Donor her sculpture/installation in the current exhibition, WONDER.

SAAM has just announced it is acquiring David Smith’s Agricola IV, a ground-breaking sculpture by one of the country’s most important artists. Agricola IV is a major addition to the museum’s presentation of American art in the twentieth century.

Nicholas Bell, The Fleur and Charles Bresler Curator-in-Charge at the Renwick Gallery, spoke the other day about the exhibition WONDER, what led to its creation, the commonalities and differences among the artists, and how "wonder" has always been a part of the DNA of the museum and the works on view.

This post is part of an ongoing series on Eye Level: Q and Art, where American Art's Research department brings you interesting questions and answers about art and artists from our archive.

Five Georgia O'Keeffe paintings in the current exhibition, Cross Currents: Modern Art from the Sam Rose and Julie Walters Art Collection, create a mini exhibition in themselves.

Before you leave town for the holidays, get your fix of D.C. music and culture at the next Luce Unplugged, our free local concert series, coming up with Nag Champa on Thursday, December 10th, 6 p.m. Nag Champa are a progressive, beat-driven electronic jazz and R&B group.

Desi Peters recently completed her graduate internship at the Lunder Conservation Center, Smithsonian American Art Museum, in paintings conservation. She describes her conservation treatment of Chapel In-the Fall-Wood by Maceptaw Bogun.

Ten years ago, November 29, 2005 to be exact, SAAM launched Eye Level, the first museum blog at the Smithsonian. It's given us the ability to tell stories and show people the museum from the inside out.

The Luce Center is filled with all kinds of treasures and Model for "Fiesta" by Mexican-American artist Luis Jiménez is no exception.

On Saturday, November 21, local theater prop designer Britney Mongold will visit the Luce Foundation Center to explain her career's trajectory in the latest installment of our Luce Artist Talk series. As a set and prop designer, Mongold works with several theaters across Washington, D.C., including Cultural D.C.'s Source Festival.

After extensive renovations to the galleries and behind-the-scenes mechanicals, the Renwick Gallery of Art reopens to the public today with WONDER.

On October 16th-17th, over two hundred international participants gathered at the Smithsonian American Art Museum for the symposium "Shifting Terrain: Mapping a Transnational American Art History," to reflect upon the increasing globalization of American art history during the past decade and how this affects research on art practice here.

As the final speaker in this year's Clarice Smith Lecture Series, noted scholar Lawrence Weschler presented a talk on race relations in the United States, using Ed Kienholz's Five Car Stud as the mirror in which this difficult history is reflected and refracted.

Handi-hour on Friday, November 13th is SOLD OUT!