Watch This! New Directions in the Art of the Moving Image
Watch This! New Directions in the Art of the Moving Image is a series of rotating exhibitions drawn from SAAM’s permanent collection. The works of art featured in this installation identify a complex relationship between still photography and moving images. These artistic engagements with captured and recorded pictures examine notions of storytelling and processes of interpretation, underscoring just how relative meaning can be, and urging viewers to question where the power of imagery might reside. Taken together, the arrangement traces a vibrant call and response between artists and pictures, narratives, and interpretation.
Description
This presentation of Watch This! is the sixth in the series. It features Alex Prager’s digital cinema installation Face in the Crowd (2013), recently acquired by SAAM. Projected across three walls in a screening room, Face in the Crowd traces a spectrum of concerns—a fear of crowds and the desire to stand out amongst them, voyeurism and exhibitionism, the spectator’s gaze, and the inability to live up to expectations. But it more acutely identifies the anxiety of being swept up by the masses while trying to create and maintain a sense of self; conditions long present in the physical world, but amplified in the virtual spaces we inhabit today.
Also on view are John Baldessari’s Walking Forward – Running Past (1971), Peter Campus’s Head of a Misanthropic Man (1976–1978), Nancy Holt’s Underscan and Prager’s Crowd #5 (Washington Square West) (2013).
A rotating display of time-based art is an important aspect of the media arts initiative at the museum, which includes acquisitions, exhibitions, educational programs, and archival research resources related to film, video, and the media arts.
Visiting Information
Credit
The James F. Dicke Family Endowment generously supported Watch This!
Artists
John Baldessari was born in National City, on San Diego Bay in California in 1931. He enrolled at San Diego State College in 1949 and received his BA in painting in 1953. He also studied at Berkeley in 1953.