No Spectators: The Art of Burning Man is organized by the Renwick Gallery of the Smithsonian American Art Museum. The Renwick Gallery especially thanks colleagues from Burning Man Project, a nonprofit public benefit corporation, for their close collaboration and assistance throughout the preparation of this exhibition.
Intel has provided generous financial and in-kind support as the lead sponsor of the exhibition. Additional financial support has been provided by: the Carolyn Small Alper Exhibitions Fund, Anonymous, Sarah and Richard Barton, the Bently Foundation, the Diane and Norman Bernstein Foundation, The Bronner Family, the Elizabeth Broun Curatorial Endowment, DAWSON Companies, the James F. Dicke Family Endowment, Ed Fries, Ping Fu, the James Renwick Alliance, Nion McEvoy, Debbie Frank Petersen, Bobby Sarnoff, Albert H. Small, Myra and Harold Weiss, and Kelly Williams and Andrew Forsyth.
No Spectators: Beyond the Renwick, an installation of outdoor sculptures and related programming in the Golden Triangle neighborhood, is made possible by a collaboration with the Golden Triangle Business Improvement District and support from Lyft.
City of Dust: The Evolution of Burning Man is organized by the Nevada Museum of Art in Reno, Nevada. Most of the items on view are drawn from the archive collections of the Museum’s Center for Art + Environment. This exhibition was realized thanks to generous gifts from the Bently Foundation, Reno-Sparks Convention & Visitors Authority, Maureen Mullarkey and Steve Miller, Eleanor and Robert Preger, the Private Bank by Nevada State Bank, Volunteers in Art of the Nevada Museum of Art, City of Reno, and Jan and David Hardie.
